Friday, September 26, 2014

Incomplete Stories

In the second last year of my school life, I worked on coming up with my own humble novel. It was around the same time that I started this blog. A little appreciation for my writing worked wonders and I was very encouraged to work on a plot. I developed characters from my observations of people on the train to and from Mumbai. It all went well for about a month and a half until I reached a deadlock where it was too complicated to proceed. I don't know if that happens to a lot of people, but I was frustrated and I deleted the MS word file that contained the story. I think that is perhaps the reason why professional writers use a typewriter. No matter how frustrated you are, the volume of your effort is always visible and so you never want to destroy and waste it.

After that failure, I have not had the motivation to attempt another novel and as the frequency of the posts on my blog would show, haven't been into writing much. I shifted to academic writing for a while, wrote a few short stories here and there, continued my "poets and pancakes" debate with those who could write poetry, never conceding that prose was for the less creative people, and mostly reading other people's works. Now that my time allows me to turn my thoughts into words, I feel like writing again and keep the scope open for both - academic as well as creative writing (if this is what this freestyle of writing could be called). In my experience so far, I have found academic writing to be much easier than the creative form. With a little training and experience, analysing data and forming hypotheses is a lot easier than designing characters and their environment. Most of all, academic writing allows you to be objective about the data, whereas you cannot be objective about a character that you create in a story. 

Coming back to the point of this post, as I looked through the dashboard of my blog, I found a good number of drafts that I could never finish. I admit to having a weakness in terms of writing conclusions. I never know how to end things - in writing as in life. However, on reflection, I have found that I focus more on the characters than the plot. Once I have a fair idea of the character and I begin to like them, it becomes very painful for me to see them in a mediocre plot. And controlling the plot is not very easy unless you are thinking of something really bizarre and you want to confuse those who chance upon reading the thing. So I eventually have to give up the story and that's how they remain incomplete. I find it kind of hypocritical that we let our stories in real life fade with time without conclusions but are hesitant to accept a piece of writing without a proper conclusion. To think about it that way, I feel that it ultimately boils down to what Alvy Singer, Woody Allen's character in Annie Hall, says towards the end, "You’re always trying to get things to come out perfect in art because it’s real difficult in life." I guess that's the way we work. 


Wednesday, September 17, 2014

Chennai So Far

Most of the travelogues on Chennai start with a description of how horrible the weather is. Irony of the situation is that I am pointing it out too, so that leaves me no different than others who have written about this city. They say Chennai is a city, Madras is an emotion. It's been over a year but I am still not so well acquainted with either that emotion or the city so I will go with Chennai.

Aerial View of Chennai. PC: Google
In my experience of about about a year and a quarter, however, Chennai has turned out to be nothing like they told me when I decided to move and pursue my PGDM here. I was warned about everything being different here: the people, the language, the food, the music, the weather (the starting point for virtually every article on the city). None of them seemed legit even before I came here. Why? My best friends in Baroda were south Indians, and I have loved masala dosa more and longer than I have loved any person. I don't hate what I don't understand so that made me pretty much indifferent to the music here. The weather indeed is a bit of a problem in the months of April and May, but God bless the 21st century, we have air conditioners! And contrary to the popular belief, you can manage to get around in the city with English and Hindi; Tamil has not been a necessity. So all the people telling me that the city would be hostile has proven ridiculous. Like any other city, this one comes with its own set of flaws: auto rickshaws that charge you meter "plus" Rs 10-30 depending on the driver's mood and your level of desperation, a name for each nook and cranny to confuse the hell out of you, road blocks because the celebration demands that the stage be set up in the middle of the road, vadas and only vadas for street food, etc. All said and done, I think Chennai has grown on me. 

Unlike the Marine Drive or the Bandra bandstand in Mumbai, Chennai offers you the Marina and Elliot's beaches where you can sit on the beach without the traffic snarls from behind. Marina has a serious cleanliness issue but Elliot's is a good option for those who like the sea. I am not a "let's go to the mall" person but Express Avenue and Phoenix I guess would make up for a good sight for those who are. Movie tickets are sold for Rs 120 perennially. That perhaps is the reason why it's so difficult to get one but when you get it you are a happy man. I have not been able to bring myself to liking the tea that we get on the road side tea stalls but I am a big time fan of the filter kaapi. Perhaps the best thing about the city for me has been finding joints that sell dosas in just about every corner of the city. Unlike a lot of people who come from the Northern states, I have liked the south Indian food. For those who couldn't, there are plenty of other options available. The people here are as ridiculous and as nice as anywhere else in the country where I have lived. The transportation and conveyance is convenient if you are lucky not to bump into that one auto driver who is having a bad day. Chennai basically gives you all the comforts and opportunities of a metro without the pace of a metro city. The people here are not always rushing, the kind you see in a Mumbai or a New Delhi or even Kolkata for that matter.

I have had complaints about the city in terms of lack of places to eat and hang out for students, the language has also been an issue in talking to people at times but my overall experience with the city has been just fine. Chennai, if nothing else, has reinforced my belief that everyone has a story to tell but to know a place you have to experience it on your own, and  I plan to explore more of both - Chennai and Madras. Until next time!

Monday, September 15, 2014

The Castaway Nomad


...On the morning of February 5th, I found myself on a whole new island. You tend to become indifferent to places when you move a lot, see a lot, observe a lot. This, however, was not a destination I had picked, and I could feel a sense of, for the lack of a better word, trouble. Once a nomad, always a nomad, I began my exploration of the new island only to find that this one was as deserted as the deserts that I had been travelling in. To be honest, I was comforted by the presence of this pattern initially. However, problems have begun to surface lately. To have a clearer understanding of the trouble, I suppose it would be good if I gave a brief account of how things were before I arrived here and also as to how I got here. 

Before the boat wreck brought me here I was travelling in the deserts of the mainland. You develop a certain kind of connection between you and your surrounding when both have something in common. I was never a believer of time and I could feel the same about the sands around me. And so I travelled far and wide, without any sense of urgency until I met a tribe of people who told me about this vast body of water called the ocean. It was water, after all, that got me moving in the first place. I found myself giving in to the temptation of exploring this vast body of water and decided to head in the direction of the ocean, picking up things along the way that would come in handy for this new experience. What the tribesmen forgot to tell me about was the dangers that came with the ocean. So on a bright sunny day when the water seemed calm, I set out to sail. The water seemed as timeless as the sand and again I travelled wide into the ocean, far from the mainland. And then the last thing I remember, I was caught up in a storm that had me struggling for days before my boat gave in to the wrath of the ocean and I was swept ashore here.

Perhaps nobody knows better than a nomad that there comes a time when the place you seek shelter in runs out of resources that sustain your existence and that is the place's way of telling you to look for a new haven. This brings me to the trouble that I mentioned. The main challenge that an island poses is not survival but the resistance against the craving for mainland. If you look at it that way, there are hardly any modes of escape, unless you are a trained seafarer and you know how to make rafts and boats. I, however, am a seasoned nomad of the mainland and I can't think of an escape route through the ocean that surrounds this island. That is my trouble. I climb the highest cliff on this island everyday to look for an approaching ship. I scream at the top of my voice from the cliff in order to hear my voice echo through the hills and make believe that I am not the only one here. To be fair, that has been the only thing that has helped me after the island started showing signs of denunciation towards me. The adversity I am sure has shaped my ideas better than my journeys through the deserts on the mainland but I believe my time to move to a new place has come, if only my destiny allows me to get out of here alive...

A wanderer of deserts, farer of the sea
Craves to embark on a new journey 
If all they say about hope is true
Where is his ship and where is the crew?